Richard
K. Jones has been on the music faculty of Nebraska Wesleyan
University since 1981, where he heads NWU’s Percussion
Studies program and coordinates the music technology
curriculum. He has been instrumental in developing NWU’s
music technology program, which began in 1985 with one
small CAI (computer-assisted instruction) station and
today embraces two complete CAI labs and a professional
digital recording studio. Mr. Jones is the recipient
of the 2005-2006 Exemplary Teaching Award presented
by the General Board of Higher Education and the Ministry
of the United Methodist Church.
Mr. Jones is a member of Lincoln’s Symphony Orchestra
where he holds the position of Principal Timpani and
he is also the Assistant Principal Percussion/Assistant
Timpani with the Omaha Symphony Orchestra, a position
he has held for over thirty years. In the course of
his career, he has worked with many world-class artists
including Robert Shaw, Arthur Fiedler, Christopher Hogwood,
Henry Mancini, Aaron Copland, Pinchas Zukerman, Itzak
Perlman, Joan Sutherland, Lorin Hollander, Leontyne
Price, Yo-Yo Ma, Andre Watts and Jean Pierre Rampal.
In addition to making his own mallets, he enjoys tinkering
with the instrument he plays and has built or re-built
three complete sets of timpani and maintains an online
book, The
Well-Tempered Timpani, which details his research
into the acoustic properties of the instrument and the
process of timpani temperament. Mr. Jones has also served
numerous terms as musician representative on both the
Lincoln’s Symphony and Omaha Symphony Board of
Directors.
When not teaching at
Nebraska Wesleyan University or performing with the
LSO or the OSO, Mr. Jones teaches privately through
Foster Jones Studios, which he founded in 1980 with
his wife, Willa Foster Jones. For the past twelve years
he has also been sharing his knowledge of music technology
with other students by teaching classes in music composition
for Lincoln’s Bright Lights summer enrichment
program and the Lincoln Suzuki Institute.
In his spare time, Mr. Jones dabbles in composing a
type of music which he describes as “algorithmic-specific-electro-acoustic
moment music;" i.e., music composed in and existing
for a specific moment. His most recent work, The
Eternal Dance of the Celestial Canon of Tiers,
received its premiere by Lincoln’s contemporary
music ensemble, The New Music Agency, in October of
2005.
Richard
has been affiliated with PAS (Percussive Arts Society)
since 1974 and served as the Nebraska Chapter President
from 1984-1989. |